Suspense Film
02:19
Here the director uses a three-way-split-screen with the husband, the wife, and the tramp. This cinematographic decision can only be perceived as revolutionary for a period which was conquered by the traditional and stagnant reliance on static LS proscenium style of shooting.
05:02
the director returns to using the unique three-way-split.
05:39
Long Shot proscenium style shot
The Lonely Villa Film
00:40
The decision of cinematography here of a Long shot in proscenium style shooting, creating a lack of innovativeness.
01:36
This is the scene entering the house, the camera remains stagnant, where as Weber using a combination of over-head shots and a more dynamic editing and cinematographic style.
01:51
The tramp enters the house, but the shot reminds the audience more of a theatrical performance, rather than a film. The camera remains the same for 2 minutes.
07:57
In contrast with Suspense, which uses a three-way-split-screen with the tramp, the wife, and the husband, in Lonely Villa, there is a simple transtition of two shots.
Suspense Film
02:19 - 02:31
Here the director uses a three-way-split-screen with the husband, the wife, and the tramp. This cinematographic decision can only be perceived as revolutionary for a period which was conquered by the traditional and stagnant reliance on static LS proscenium style of shooting.
05:02 - 05:37
the director returns to using the unique three-way-split.
05:39 - 06:06
Long Shot proscenium style shot
The Lonely Villa Film
00:40 - 00:56
The decision of cinematography here of a Long shot in proscenium style shooting, creating a lack of innovativeness.
01:36 - 01:51
This is the scene entering the house, the camera remains stagnant, where as Weber using a combination of over-head shots and a more dynamic editing and cinematographic style.
01:51 - 03:52
The tramp enters the house, but the shot reminds the audience more of a theatrical performance, rather than a film. The camera remains the same for 2 minutes.
07:57 - 08:18
In contrast with Suspense, which uses a three-way-split-screen with the tramp, the wife, and the husband, in Lonely Villa, there is a simple transtition of two shots.